Class: Film and Media Theory
Within two decades of the invention of film in 1895, filmmakers and theorists engaged in debates over the nature of this new medium. What are its basic properties? What are its possibilities as an art form? By the early twentieth century, film theorists had converged around two basic arguments: realist theorists argued that, because it is based on photography, film should focus on its special relationship to the physical world; formalist theorists argued that because it is based on the illusion of movement, film should focus on creating new worlds and ideas. In this class, we will examine these approaches to understanding film aesthetics and consider how and whether the emergence of digital film has changed the very nature of the medium.
Discussions: At the beginning of the quarter, you will be assigned to a team with whom you will discuss the weekly readings and prompts. You will hold these discussions on a shared discussion board. If a team member does not contribute consistently to these discussions, they will be removed from your team.
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