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watch movie, this is not a film

a film journal and a 250 words analysis2 attachmentsSlide 1 of 2

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Title Director Year Produced by Distruibuted by Summary, Key Themes & POV Form Stylistic elements Notes on story of race, class, gender and sexuality Qutoes Acta Univ. Sapientiae, Film and Media Studies, 15 (2018) 103–123 DOI: 10.1515/ausfm-2018-0006 The Camera in House Arrest. Tactics of Non-Cinema in Jafar Panahi’s Films Judit Pieldner Sapientia Hungarian University of Transylvania (Miercurea Ciuc, Romania) E-mail: pieldnerjudit@uni.sapientia.ro Abstract. In close intratextual connection with earlier pieces of Jafar Panahi’s oeuvre, pre-eminently The Mirror (Ayneh, 1997) and Offside (2006), his recent films made in illegality, including This Is Not a Film (In film nist, Jafar Panahi and Mojtaba Mirtahmasb, 2011), Closed Curtain (Pardeh, Jafar Panahi and Kambuzia Partovi, 2013) and Taxi Tehran (Jafar Panahi, 2015), reformulate the

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